Top 5 tips for finishing tracks

Us music producers tend to argue about a lot of things, whether it be the topic of sound design versus presets, which DAW is the best, or that everyone should produce drum and bass because it’s the most difficult genre.

We’ve heard it all.

But there’s one thing most music producers will agree on, and that’s the fact that workflow is a key element of production – not only in terms of actually being able to finish tracks, but also in regards to creativity, speed, and enjoyment.

Yes, I said enjoyment. Having a great workflow makes production a lot more enjoyable.

So, I’ve decided to make this Free-book  which contains few essential tips. 

Download

FOR MORE DEEP UNDERSTANDING OF THE TOPIC  READ THIS.....

Read more »

Everything about Music theory

WHY MUSIC THEORY MATTERS
Composing without music theory is like mixing without EQ. It’s possible, but I don’t recommend it.
The main problem with ignoring theory is that, chances are, you’ve grown up surrounded by Western music. And your ears probably prefer Western music norms. So the music you inherently prefer to compose will follow the rules of Western music. And by “rules of Western music,” I mean music theory. To break the rules, you have to realize you unconsciously follow them, which requires learning them. Once you learn theory well, you’ll see how to treat the “rules” instead as “guidelines.”
Also, a tip on “studying” the theory concepts in this pdf: USE THEM. Write songs for the sole purpose of exploring diatonic chords, or do whatever you need to do to make things stick. Just use theory in any way you can and push into territory you’re uncomfortable with as often as you can in order to make it familiar and easy
TL;DR: STFU and learn music theory


TABLE OF CONTENTS


1. Basic Melody
a. Major scale
b. Minor Scale
c. Intervals  
d. Relative/parallel scales
e. Harmonic and Melodic Minor Scales
f. Compound intervals
g. Inverted intervals
h. Modes
i. Pentatonic Major and Minor
j. Describing melodies

Neighboring and passing tones, pedal points,  and chordal skips/arpeggios  

2. Basic Harmony
a. Triads + 7th chords
b. Chord Inversions and Variations
c. Diatonic Major  
d. Diatonic Minor
e. 5-6 Technique
f. Partial Chords
g. Extended Chords
h. Dominants

3. Intermediate Melody
a. Contrapuntal Motion (“Counterpoint”)
b. Phrygian Dominant
c. Diminished scales
d. Whole tone scale
e. Altered scale
f. How to harmonize a melody
g. Melody over chord progressions
h. Melodic Chromaticism  

4. Intermediate Harmony
a. Secondary Dominants
b. Altered Chords
c. Applied Chords
d. Mixture I: “What is it?”
e. Mixture II: “Why use it?” and Example I (Viva la Vida)
f. Mixture III: Example II (Loud Pipes)
g. Mixture IV: Example III (Get Lucky)
h. Mixture V: Concluding Remarks
i. Phrygian II (Neapolitan chord)
j. Suspensions
k. Anticipations
l. Chord Movement Patterns
m. Modulation
n. Chromaticism
o. How to Analyze a Chord Progression

5. Rhythm
a. Rhythmic notation
b. Syncopation
c. Polyrhythms I: “What are they?” and 2 V. 3
d. Polyrhythms II: 3 V. 4
e. Polyrhythms III: Other polyrhythms and How to use them
f. Polyrhythms IV: Polyrhythm variations

6. Other
a. Time Signatures
b. How to Apply Theory Numbers to Notes
c. How Keys Work
d. The Circle of Fifths

7. Further materials

To Read full download: 

ALL THE CONTENT COPYRIGHT BELONGS TO  www.edmprod.com/

FOR MORE STUFF MUST VISIT www.edmprod.com/

WRITTEN BY: SAM MATLA 

  

Read more »

The Necessity of Listening to music

It’s not hard to figure out that to improve as a producer, you actually need to produce. Production should be your priority, but at the same time, some level of consumption, or “out-of-the-box” learning is essential.

One of the best forms of consumption, or learning, is listening to music. In fact, I’d argue it’s the most important thing for the producer to do outside of actually making music.

But most of you don’t listen to music. You might listen to it while you’re driving, doing the dishes, or hanging out with friends – but you don’t listen to music intentionally.

I’m calling you out.

Why? Because by not listening to music, you’re slowing progress and stopping yourself from making truly great music.

In this article, will cover:

• Why it’s important to listen to music (intentionally)
• How to solve production problems by listening to music
• How to gain inspiration from listening to music
• Why collaborative listening sessions can be beneficial
• Questions to ask yourself during listening sessions
• How to make listening a habit

TO READ THIS ARTICLE DOWNLOAD THE PDF:

NOTE: RIGHT CLICK ON DOWNLOAD AND SAVE LINK AS....

ALL THE CONTENT COPYRIGHT BELONGS TO  www.edmprod.com/

FOR MORE STUFF MUST VISIT www.edmprod.com/

WRITTEN BY: SAM MATLA 

Read more »